The recent sale of a cast for £12,500 is a testament to the Romantic poet’s enduring legacy, on the bicentenary of his death
There’s no mention of John Keats’s name on his tombstone – in fact you might accidentally pass right by it while strolling through the Cimitero Acattolico in Rome, were it not for its distinctly dour epitaph. “Here lies one whose name was writ in water,” is the bitter description, etched at Keats’s dying request, the final sentiment from a poet who believed his words would fade into oblivion.
When Keats died from tuberculosis aged 25, on 23 February 1821, the furniture in his room – now a museum – was burned. But his face was shaved and prepared, so a plaster cast could be applied to preserve his likeness. Now, 200 years on, two versions of Keats’s death mask produced by two castmakers circulate galleries, auctions and private collections for large sums. Their value is a testament to Keats’s enduring appeal; Where the Wild Things Are author Maurice Sendak owned one and would reportedly take it from its box next to his bed to stroke its forehead.
Related: John Keats: five poets on his best poems, 200 years since his death
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