As one of cinema’s greatest composers, he has written the music for hundreds of films, including classics such as A Fistful of Dollars and The Good, the Bad and the Ugly, recreating the wild west of Sergio Leone’s imagination with a soundscape of haunting whistles and cracking whips.
But, after a lifetime’s career in both Hollywood and European cinema, Ennio Morricone is now settling scores of a different kind. In a book based on extensive interviews with the famously private man, he attacks film-makers who, he says, fail to understand the power of music to heighten emotions – and some fellow composers for enabling them to regard a soundtrack as merely “something that plays in the background”.
Continue reading...
0 comments:
Post a Comment