There are few issues among artists and writers as controversial as cultural boycotts. On almost every other subject we tend to agree, more or less: freedom of expression; the need to support local libraries; promoting literacy etc. But a cultural boycott is a conceptual rift that divides us. As a Turkish novelist, I am acquainted with both sides of that rift: I have dear friends – writers and academics – who have recently signed petitions to boycott Israel. And coming from Turkey, a country with a poor record of human rights, I also know what it feels like to be the one who is boycotted.
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