Robert McCrum introduces the series
The publication of Jude the Obscure is both an end and a beginning. In hindsight, it signals the transition to a modern literary sensibility while also painting a picture of a profoundly Victorian rural society. It was another kind of turning-point, too, because Thomas Hardy, shaken by the hostility aroused by the novel dubbed "Jude the Obscene", would never write fiction again. And it was a new beginning because henceforth he would become one of the greatest English poets of the 20th century.
When the novel opens, we seem to be in Hardy's Wessex, the world of Far From the Madding Crowd or Tess of the d'Urbervilles. But Jude Fawley, who talks to the crows he is supposed to be scaring away, is a modern English boy, with his eye on Christminster (Oxford). He wants an education. With brilliant economy, Hardy opens up three themes: the struggle of the poor and disadvantaged to make their way in a bourgeois world; the tyranny of marriage in the lives of women oppressed by a patriarchal society; and the stranglehold on English life inflicted by an established church, defensively circling its wagons in the aftermath of Darwin's On the Origin of Species .
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