She is the young heroine of a romantic novel that once rocked the whole of France and she is also the star of a charming portrait housed at London’s Wallace Collection. Now, thanks to an art-house hit – a film delighting critics and winning five-star reviews – the spotlight has swung once again on to Julie D’Etange, the enigmatic subject of Jean-HonorĂ© Fragonard’s little painting The Souvenir.
His picture shows a young woman in a luxurious pink satin dress carving her lover’s initials into a tree, in a scene drawn from Jean-Jacques Rousseau’s 1761 book Julie. Written in letter form, the story charts the path of her illicit love for Saint-Preux, a former lover and tutor, reintroduced into her life by her unsuspecting husband.
Related: The Souvenir review – Joanna Hogg back on form with sly, disconcerting drama
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