From Mary Shelley to Margaret Atwood, feminist science fiction writers have imagined other ways of living that prompt us to ask, could we do things differently?
Margaret Atwood’s evergreen dystopian novel The Handmaid’s Tale is about to become a television drama. Published in 1985, it couldn’t feel more fresh or more timely, dealing as it does with reproductive rights, with the sudden accession to power of a theocracy in the United States, with the demonisation of imagined, pantomime villain “Islamic fanatics”. But then, feminist science fiction does tend to feel fresh – its authors have a habit of looking beyond their particular historical moment, analysing the root causes, suggesting how they might be, if not solved, then at least changed.
Where does the story of feminist science fiction begin? There are so many possible starting points: Margaret Cavendish’s 1666 book The Blazing World, about an empress of a utopian kingdom; one could point convincingly to Mary Shelley’s Frankenstein as an exploration of how men could “give birth” and what might happen if they did; one could recall the 1905 story “Sultana’s Dream” by Begum Rokeya, about a gender-reversed India in which it’s the men who are kept in purdah.
Related: Margaret Atwood: Haunted by The Handmaid's Tale
What makes Atwood's novel so terrifying is that it's all plausible. In fact, everything has happened somewhere before
Related: Feeding the Hunger – female writers are storming the male citadels of sci-fi
Utopias and dystopias can exist side by side. Everyone’s shining city on a hill is someone else’s hell on earth
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