Cambridge academic Ulinka Rublack’s new book claims the artist best known as a painter of the Tudor heirarchy had earlier used art to criticise the powerful
The 16th-century artist Hans Holbein the Younger’s series of tiny woodcuts, The Dance of Death, should be viewed as dangerous satire and an early form of political cartoon, according to a Cambridge academic.
Related: The Dance of Death by Hans Holbein review – capering skeletons and ruined churches
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