One family man’s Day of the Dead in County Mayo after the boom and bust
Excellence is always rare and often unexpected: we don’t necessarily expect masterpieces even from the great. Mike McCormack’s Solar Bones is exceptional indeed: an extraordinary novel by a writer not yet famous but surely destined to be acclaimed by anyone who believes that the novel is not dead and that novelists are not merely lit-fest fodder for the metropolitan middle classes.
McCormack is not entirely unknown. In 1996, he won the Rooney prize for Irish literature with his first collection of short stories, Getting It in the Head.The prize is a sure predictor of future greatness, responsible for bringing to wider public attention the work of Anne Enright, Claire Kilroy, Claire Keegan and the two mighty Kevins, Barry and Power. McCormack’s second collection, Forensic Songs, was published in 2012, and he is also the author of two novels, Crowe’s Requiem (1998) and Notes from a Coma (2005). But it would be safe to say that outside his native Ireland his work is less well known than that of many of his contemporaries. Solar Bones is published by Tramp, one of Ireland’s small independent publishing houses, which, like its UK counterparts, is enjoying an unprecedented period of growth and success. The book deserves attention and applause.
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