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All-day podcasts and brick-sized books. Or, why 2015 was the year the long form fought back

Written By Unknown on Saturday, January 2, 2016 | 3:14 AM

Digital-age culture was meant to be bite-sized. But novels are getting longer, and I have learned to enjoy Wilbur Smith

Shortly before Christmas, Wilbur Smith, the writer of airport novels, gave an interview to a Sunday newspaper in which he spoke of his four wives in the following tender terms: “Two of them died on me, the first one hates me, and this one loves me, so I’ve covered the whole spectrum.” He no longer saw his children, he added: “They’ve got my sperm, that’s all … it’s sadder for them than it is for me, because they’re not getting any more money.” Perhaps the most charitable response was to observe that at least Smith was being consistent here: the real people in his life seemed as two-dimensional, judging from these descriptions, as the typical Smith hero, who is a rugged outdoorsman with a passion for hunting, hard liquor, and no-strings sex. (Oh, and for avoiding the gaboon adder, the deadly African snake Smith calls upon, with amusing frequency, when a character needs to die.) But my sneering’s a bit hypocritical, really. I only know about Smith’s cardboard-cutout characters because 2015 was the year I read two of his brick-sized novels, along with several similar vast works by Frederick Forsyth and Ken Follett: the kind of books, as one friend put it both succinctly and snobbily, that you find in self-catering holiday cottages. A further confession: mainly, I enjoyed them.

In publishing at large, it was a year of very long works: of Franzen and KnausgÃ¥rd and Marlon James, if you have some kind of problem with gaboon adders and prefer literary fiction instead. A survey in December confirmed that novels in general are getting bigger: the average number of pages in a bestseller, it found, had grown by 25% since 1999. This is unexpected. Digital culture was always supposed to fragment our attention spans, eroding our powers of concentration with addictive interruptions and bite-sized stimuli – and it often does. But it’s also the case that e-readers make very long books much more practical: the 400-plus pages of Smith’s Eye of the Tiger (in which, by the way, a killer shark is destroyed by being induced to swallow a stick of gelignite hidden inside the body of a Moray eel) added no weight to my Kindle.

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