Kazuo Ishiguro is best known for The Remains of the Day, his Booker prizewinner; The Unconsoled, a very long novel of hallucinatory strangeness; and Never Let Me Go, a contemporary favourite widely taught in schools. But the pitch-perfect novel that both expresses his Japanese inheritance and also captures the haunting beauty and delicacy of Ishiguro’s English prose is his second work of fiction, An Artist of the Floating World.
This, as its title suggests, is a tour de force of unreliable narration, set in post-second world war Japan, during the American occupation. Masuji Ono, a respected artist in the 30s and during the war but now retired, is garrulously recalling the past, from a highly subjective point of view.
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