Kazuo Ishiguro’s novel can seem frustratingly circuitous – but that narrative confusion, as warped as quantum time or an Escher staircase, is the perfect structure to convey lost opportunities
One of the many enjoyable revelations in last week’s webchat with Kazuo Ishiguro was his “dirty secret” that his subject matter doesn’t change much from book to book.
He explained: “Just the surface does. The settings, etc. I tend to write the same book over and over, or at least, I take the same subject I took last time out and refine it, or do a slightly different take on it.”
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