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Tuesday, May 31, 2016

The Man with the Golden Typewriter review – Ian Fleming’s James Bond letters

Fleming’s nephew reveals a jokey side to the author in an entertaining book that you don’t have to be a Bond nut to enjoy

Yes, he had a gold-plated typewriter, which he bought to celebrate the completion of Casino Royale, the first James Bond novel. “His literary acquaintances considered it the height of vulgarity,” writes Fergus Fleming, his nephew.

Now, I like to think I know a little bit more about Bond and Ian Fleming than the average reader, because I was once honoured to be asked to write the introduction to the Penguin Modern Classics edition of what they called the Blofeld Trilogy – the trio of novels that feature the fearsome head of Spectre. But I wish this book had been around before I’d started: it gives a more rounded – and sympathetic – portrait of Fleming than I gave.

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Is Rushdie right about rote learning? Is Rushdie right about rote learning?

Salman Rushdie thinks schoolchildren should learn poems by heart, and some experts think that, far from making kids hate poetry, the practice could be ‘life-enhancing’

What can you recite by heart? Your times tables? German verb formations? The Lord’s Prayer? Salman Rushdie thinks it should be poetry. Speaking at the Hay Festival, the novelist described memorising poems as a “lost art” that “enriches your relationship with language”. But doesn’t learning poetry by rote make children learn the words but lose the meaning?

Not necessarily, according to David Whitley, a senior lecturer at Cambridge University currently researching poetry and memory. He says that, while some people remember with horror having to recite poems in front of an audience, for many, learning poetry by heart can be “life-enhancing”.

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The power and glory of tides – in pictures

The ebb and flow of oceans around the world reveal the planet’s daily dance in the sloshing of billions of tonnes of water. Hugh Aldersey-Williams examines the collision of immovable object and irresistible force at the boundary between land and sea

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Lisa Hanawalt: BoJack cartoonist gets personal in Hot Dog Taste Test

The illustrator’s new book of comics, like BoJack Horseman, balances the somber and the playful, mixing food experiments with family trips to Buenos Aires

Lisa Hanawalt was not an adventurous eater as a child. “I was a disaster,” the cartoonist and designer for BoJack Horseman told me earlier this month at the Toronto Comic Arts Festival. “All I wanted to eat were plain mashed potatoes, and I didn’t even like pasta,” she said. “They had to be the right texture, they couldn’t be too smooth or too lumpy.”

These days, her palate craves the unusual. For one of the pieces in her new collection of comics, Hot Dog Taste Test, Hanawalt shadowed the chef Wylie Dufresne at his omnivorous restaurant wd~50, the kind of place that served caviar atop ice cream and foie gras pumpkin pie. Hanawalt says she doesn’t cook often herself – one page of Hot Dog Taste Test displays meals she’s thrown together, including a fistful of potato chips and olives – but she knows that everything we eat can lead our senses to unconscious memories.

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WI not just about jam and Jerusalem, author tells Hay festival

Maggie Andrews says members debated how to outwit Nazis and equal rights and were the acceptable face of feminism

Jam-making by members of the Women’s Institute is normally seen as a fun and essentially benign activity – not a way of killing Nazis.

Hay festival heard that during the second world war WI branches vigorously debated the consequences of a German invasion and jam was central.

Related: Women's Institute at 100: as pleasingly bolshie as ever

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Hydra Captain America wins over Stan Lee

Controversial makeover of superhero as an agent of a fascist organisation secures approval of Spider-Man creator

Amid petitions and death threats and cries of #sayitaintso, Marvel has found at least one supporter for the decision to turn Captain America into a double agent for fascist organisation Hydra: comics legend Stan Lee.

The plot twist that the all-American superhero has been a sleeper agent for the sinister group was revealed in the latest Captain America comic last week. “This is not a clone, not an impostor, not mind control, not someone else acting through Steve. This really is Steve Rogers, Captain America himself,” Marvel writer Nick Spencer told Entertainment Weekly. Spencer later faced death threats on social media – “I can’t respond to 9,000 tweets per second, but if I could, I would say I admire your passion,” he wrote on Twitter – while a petition, now signed by almost 10,000 people, was launched to “get Marvel to stop Hydra Captain America”.

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Hydra Captain America wins over Stan Lee

Controversial makeover of superhero as an agent of a fascist organisation secures approval of Spider-Man creator

Amid petitions and death threats and cries of #sayitaintso, Marvel has found at least one supporter for the decision to turn Captain America into a double agent for fascist organisation Hydra: comics legend Stan Lee.

The plot twist that the all-American superhero has been a sleeper agent for the sinister group was revealed in the latest Captain America comic last week. “This is not a clone, not an impostor, not mind control, not someone else acting through Steve. This really is Steve Rogers, Captain America himself,” Marvel writer Nick Spencer told Entertainment Weekly. Spencer later faced death threats on social media – “I can’t respond to 9,000 tweets per second, but if I could, I would say I admire your passion,” he wrote on Twitter – while a petition, now signed by almost 10,000 people, was launched to “get Marvel to stop Hydra Captain America”.

Related: Captain America has gone from punching Hitler to fascist sympathies – is it time to panic?

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Meg Rosoff condemns UK education policy as an 'assault on childhood'

Accepting the Astrid Lindgren award, the YA novelist attacked overwhelming stress on exams over culture

Meg Rosoff has condemned the government’s “assault on childhood”, saying that teaching and learning have become “joyless” in the UK.

Rosoff is the author of seven YA novels including the international bestseller How I Live Now. She was speaking as she received the SEK5m (£410,000) Astrid Lindgren Memorial award, the world’s richest prize for children’s literature, in Stockholm on Monday night. She told her audience that she had met “too many children” in the UK “who cut themselves with razors, starve themselves, who suffer depression and anxiety, who believe what the government tells them – that nothing is more important than exams. That art and music and books will not help them make money. That it is OK to close libraries and do away with librarians.”

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Meg Rosoff condemns UK education policy as an 'assault on childhood'

Accepting the Astrid Lindgren award, the YA novelist attacked overwhelming stress on exams over culture

Meg Rosoff has condemned the government’s “assault on childhood”, saying that teaching and learning have become “joyless” in the UK.

Rosoff is the author of seven YA novels including the international bestseller How I Live Now. She was speaking as she received the SEK5m (£410,000) Astrid Lindgren Memorial award, the world’s richest prize for children’s literature, in Stockholm on Monday night. She told her audience that she had met “too many children” in the UK “who cut themselves with razors, starve themselves, who suffer depression and anxiety, who believe what the government tells them – that nothing is more important than exams. That art and music and books will not help them make money. That it is OK to close libraries and do away with librarians.”

Related: The diary of Meg Rosoff in Sweden – in pictures

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Yanis Varoufakis tells Hay festival he admired Margaret Thatcher

Former Greek finance minister says while he protested against Thatcher he enjoyed how she ‘wiped the floor’ with opposition

They might seem a million miles apart in terms of politics, but the radical socialist economist Yanis Varoufakis has revealed he is a secret admirer of Margaret Thatcher.

Varoufakis, a former finance minister of Greece, lived in the UK for a decade as a student and lecturer.

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My Old Man: Tales of Our Fathers edited by Ted Kessler – review

Famous figures open up about their fathers in this poignant blog turned anthology

Conducting interviews for this paper over the past 20 years, I’d say I’ve developed only one relatively fail-safe “technique”. If the interviewee, famous or otherwise, is batting questions away, refusing to open up at all, I’ve come to believe that there is one question always worth trying in order to turn things around. It’s this one: “What kind of a man was your father?” At worst, this question elicits a flinch and a look of sadness or puzzlement; at best, it proves immediately revealing of the way an interviewee thinks or feels or defines him or herself. Either way, it changes the mood, generates some ease or discomfort. It’s tempting to imagine that while mothers, at least to begin with, nurture our emotional development, dads offer us our first real opportunity to employ our critical faculties: everyone has a strong opinion about their old man.

It’s this well of judgment and inquiry and reminiscence that the magazine features editor and writer Ted Kessler tapped into when he first began a blog about his own father, three years ago, and invited people to add their own memories. Some of the people who wrote about their fathers were famous – Chris Martin, Rod Stewart, Florence Welch (Kessler works at the music magazine Q) – and some were sons and daughters of famous fathers – Adam Cohen, son of Leonard; Jemima Dury, daughter of Ian. These are collected in this poignant and often moving book, alongside pieces from writers and journalists in the same vein.

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Mike Mignola: Why I'm ending Hellboy to go paint watercolors instead

As the final Hellboy comic is published, Mike Mignola discusses how he started, how Hollywood didn’t kill his creation and why he is embracing ‘blur and mush’

Mike Mignola’s Hellboy is one of the most widely praised and visually distinctive comics of the last three decades, spawning two critically acclaimed Guillermo Del Toro movies, several spin-off comic books and assorted paraphernalia from action figures to video games.

Now, the character’s high-contrast, minimalist adventures are concluding with the hero ending his days where he began them: hell itself, where Mignola says he has found unexpected artistic freedom. The final issue ships this Wednesday, 1 June.

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Monday, May 30, 2016

JK Rowling's alter ego Robert Galbraith shortlisted for crime novel award

Galbraith’s Career of Evil is one of six titles selected by Theakston for their Old Peculier crime novel of the year

A dizzyingly paced crime caper from JK Rowling’s alter ego Robert Galbraith is among six novels in the running for the title of Theakston Old Peculier crime novel of the year.

Related: Exclusive extract: Career of Evil by Robert Galbraith (the pseudonym of JK Rowling)

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Prince Philip's DNA may identify the last of the Romanovs, says Sebag Montefiore

Human remains could now be conclusively identified as belonging to the children of the Russian royal family who were killed with their parents in 1918

The DNA of the Duke of Edinburgh is being used by Russia to establish whether the remains of bodies are those of the Romanovs, executed by the Bolsheviks in 1918.

The historian Simon Sebag Montefiore revealed that the DNA of Prince Philip, a descendant of the Romanovs, was being used to solve a historical mystery that could be used to bolster the reputation of President Vladimir Putin.

Related: The Romanovs 1613-1918 by Simon Sebag Montefiore – review

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David Mitchell buries latest manuscript for a hundred years

Author of Cloud Atlas delivers his new work – which won’t be read until 2114 – to Oslo’s Nordmarka forest as part of the Future Library project

David Mitchell, a regular contender for the Man Booker prize, is used to his novels being picked over by the critics. So it’s something of a relief, says the British author, that his latest work – completed at 1am one Tuesday morning before a car arrived to take him to the airport to catch a flight to Norway – won’t be seen by anyone until 2114.

Related: Into the woods: Margaret Atwood reveals her Future Library book, Scribbler Moon

I’m sandwiched between Margaret Atwood and no doubt some shit-hot other writer, so mine better be good.

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David Mitchell buries latest manuscript for a hundred years

Author of Cloud Atlas delivers his new work – which won’t be read until 2114 – to Oslo’s Nordmarka forest as part of the Future Library project

David Mitchell, a regular contender for the Man Booker prize, is used to his novels being picked over by the critics. So it’s something of a relief, says the British author, that his latest work – completed at 1am one Tuesday morning before a car arrived to take him to the airport to catch a flight to Norway – won’t be seen by anyone until 2114.

Related: Into the woods: Margaret Atwood reveals her Future Library book, Scribbler Moon

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Poem of the Week: Combat Gnosticism by Ian Duhig

This quiet, wry poem reflects on the unique, incommunicable knowledge that comes with service in conflict

Combat Gnosticism

Campbell’s term for war writing born
of a gnosis only being there can earn:
I witnessed it once from old soldiers
in a poetry workshop at Age Concern.

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David Means: ‘You can’t take a story and just stretch it out – that does not a novel make’

The celebrated short story writer on getting to grips with the longer form, history as fiction and trying to capture the absurdity of Vietnam

A really excellent short story is a thing that refuses to be faced head on. It folds into itself, circles you back to its beginning and replays endlessly, while some part – the maddening, mesmerising part – remains impenetrable. The American writer David Means, whose four collections span 25 years, is the master of this kind of refusal. His stories, which evoke lives rather than the neat, lone epiphany that’s become the form’s standard, usually operate around an inner concealment, some careful reticence that reveals and compels grace.

“What you hope for,” he offers, speaking in Bryant Park, behind the New York Public Library, “is that you radiate the past behind the story and the future in front of it. You want to end in a way that makes the reader go back and reread and pushes them forward into eternity or whatever the hell’s out there. With a novel you actually have the opposite – you’ve gotta wrap things up.”

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Tips, links and suggestions: what are you reading this week?

Your space to discuss the books you are reading and what you think of them

Long time, no see, everyone! On this dreary bank holiday in the UK, it’s lovely to welcome everyone again to this week’s blog. Here’s a roundup of your comments and photos from the last two weeks, including chats about translation, tackling classics and funny books.

Vieuxtemps has embarked on a mammoth pile of classics: The Other House by Henry James, broken open a Primo Levi boxset, Tales of Mystery by Elizabeth Gaskell, and Heart of Darkness and Other Tales by Joseph Conrad, which they called “excellent and creepy”.

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The page 69 quiz – can you identify the classic book from a single paragraph?

69 is a big number: in 1969, man walked on the moon. Bryan Adams had a summer. At the age of 69, Marshall McLuhan died, leaving behind his theory of how to choose a book: if you like what’s on page 69, chances are you’ll like the rest too. Can you pick these page 69s?

She always declares she will never marry, which, of course, means just nothing at all, But I have no idea that she has yet ever seen a man she cared for. It would not be a bad thing for her to be very much in love with a proper object.

Pride and Prejudice by Jane Austen

Persuasion by Jane Austen

Sense and Sensibility by Jane Austen

Emma by Jane Austen

The forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the orphan Asylum, breathed typhus through its crowded school-room and dormitory, and, ere May arrived, transformed the seminary into an hospital.

Hard Times by Charles Dickens

Asylum by Patrick McGrath

Jane Eyre by Charlotte Bronte

The Eyre Affair by Jasper Fforde

If we are to insist on the contingency of feminine characteristics as the product of conditioning, we will have to argue that the masculine-feminine polarity is actual enough, but not necessary.

On Sexuality by Sigmund Freud

The Female Eunuch by Germaine Greer

Rights of Women by Mary Wollstonecraft

How to Be a Woman by Caitlin Moran

Lombard looked thoughtfully at the man’s twitching face, his dry lips, the fright in his eyes. He remembered the crash of the falling coffee tray. He thought, but did not say, "Oh yeah?"

Crash by JG Ballard

Casino Royale by Ian Fleming

Earthly Powers by Anthony Burgess

And Then There Were None by Agatha Christie

I put the figger and the dead han in my pockit then qwick I grabbit Phists han in boath of myn and wirlt roun fas and slung him over my sholder head 1st in to the much I cudnt do nothing else to save my life.

Trainspotting by Irvine Welsh

Riddley Walker by Russell Hoban

The Book of Dave by Will Self

As I Lay Dying by William Faulkner

Without religious principles, a man would have to be actually crazy to pursue harsh and painful virtue, give up the pleasures of life, and suffer pain from which he can expect no advantage. For if there is no reward after death, a man has no compensation for having passed his entire existence without pleasure, that is, miserably.

The Golden Bough by James Frazer

The God Delusion by Richard Dawkins

Utopia by Thomas More

Psychology and Religion by Carl Jung

She had a blue nimbus, the blue of sex or sadness. Any eyes that were available on the dead-end street would find their way to her: builders in their gutted houses, a frazzled rep in a cheap car, a man alone at home pressing his face against a window pane with a snarl.

Sweet Tooth by Ian McEwan

The Big Sleep by Raymond Chandler

London Fields by Martin Amis

True Blue by David Baldacci

They came to an old iron bridge in the woods where the vanished road had crossed an all but vanished stream. He was starting to cough and he'd hardly breath to do it with. He dropped down out of the roadway and into the woods. He turned and stood gasping, trying to listened. He heard nothing. He staggered on another half mile or so and finally dropped to his knees and put the boy down in the ashes and leaves. He wiped the blood from his face and held him. It's okay, he said. It's okay.

The Road, Cormac McCarthy

Worstward Ho by Samuel Beckett

Oryx and Crake by Margaret Atwood

About a Boy by Nick Hornby

My uncle Toby blushed as red as scarlet as Trim went on – but it was not a blush of guilt – of modesty – or of anger –– it was a blush of joy; –– he was fired with Corporal Trim’s project and description.

Toby’s Room by Pat Barker

Tristram Shandy by Laurence Sterne

Tom Jones by Henry Fielding

Men at Arms by Evelyn Waugh

Yesterday morning I went to the doctor. Was taken, by a Guardian, one of those with the red armbands who are in charge of such things.”

The Yellow Wallpaper by Charlotte Perkins Gilman

The Handmaid’s Tale by Margaret Atwood

Nineteen Eighty-four by George Orwell

Writing Home by Alan Bennett

Boleyn is still smiling. He is a poised, slender man; it takes the effort of every tuned muscle in his body to keep the smile on his face.

The Other Boleyn Girl by Philippa Gregory

Henry VIII: King and Court by Alison Weir

1066 and All That by WC Sellar and RJ Yeatman

Wolf Hall by Hilary Mantel

And deep down it was all the same to me whether I sucked a different stone each time or always the same stone, until the end of time. For they all tasted exactly the same.

How Late It Was, How Late by James Kelman

Molloy by Samuel Beckett

Hunger by Knut Hamsun

Stig of the Dump by Clive King

Staffers rotated Specials-duty every hour, ostensibly so that whoever was on duty was always fresh and keenly observant, but really because simply sitting there at the foot of a bed looking at somebody who was in so much psychic pain she wanted to commit suicide was incredibly depressing and boring and unpleasant, so they spread the odious duty out as thin as they possibly could, the staffers.

Infinite Jest by David Foster Wallace

One Flew Over the Cuckoo’s Nest by Ken Kesey

CivilWarLand in Bad Decline by George Sanders

What a Carve Up! by Jonathan Coe

"Did you say blue eyes, Archie, love?" said Maureen, speaking slowly so she might find a way to phrase it. "I'm not bein' funny... but in't your wife, well, coloured?"

Before She Met Me by Julian Barnes

Brick Lane by Monica Ali

Something to Tell You by Hanif Kureishi

White Teeth by Zadie Smith

The abbot, who was small and totally bald and had more wrinkles than a sackful of prunes, opened his eyes. "You're late," he whispered, and died.

Small Gods by Terry Pratchett

Mort by Terry Pratchett

The Shepherd's Crown by Terry Pratchett

Reaper Man by Terry Pratchett

5 and above.

Oof. Check our what you got wrong and try again!

10 and above.

So close, yet so far. Try again?

0 and above.

Have you ever got as far as page 69 in a book before?

15 and above.

Well done!

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The diary of Meg Rosoff in Sweden – in pictures

After winning the world’s largest cash prize for children’s literature the Astrid Lindgren memorial award last month, Meg Rosoff has become a literary superstar in Sweden. Here’s Meg’s fascinating account of her time on a whirlwind tour of a country which takes its children’s books seriously

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'Legendary' first edition of Alice in Wonderland set for auction at $2-3m

The edition is one of only 22 known copies in existence, after Lewis Carroll withdrew the print run because of a problem with the illustrations

A “legendary” first edition of Alice in Wonderland – one of just 22 known copies in existence, after Lewis Carroll withdrew the entire print run – is due to be auctioned in New York next month, where it is anticipated to fetch between $2m and $3m (£1.3-£2m).

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'Legendary' first edition of Alice in Wonderland set for auction at $2-3m

The edition is one of only 22 known copies in existence, after Lewis Carroll withdrew the print run because of a problem with the illustrations

A “legendary” first edition of Alice in Wonderland – one of just 22 known copies in existence, after Lewis Carroll withdrew the entire print run – is due to be auctioned in New York next month, where it is anticipated to fetch between $2m and $3m (£1.3-£2m).

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A Walk in the Park: The Life and Times of a People’s Institution by Travis Elborough – review

There’s plenty to look at in this enjoyable stroll through the history of our public parks, despite a few omissions

In 1850, Frederick Law Olmsted, an American journalist and farmer, arrived in Liverpool from New York. Perturbed to find some of the other guests at his temperance hotel smoking, he and his companions soon moved on to Birkenhead, then a genteel but rapidly expanding new town. There, he tried to buy some buns, only to be told by the baker that he should on no account leave Birkenhead without seeing its wondrous new park, a 226-acre quasi pastoral paradise designed by Joseph Paxton on what had previously been a gorse-infested common prone to “unhealthy mists”. In 1847, some 56,000 people had attended its opening, a figure substantially bigger than the town’s then population.

The plight of many parks is obvious: gates are closed, lavatories remain out of order, litter is an increasing problem

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Free Speech: Ten Principles for a Connected World by Timothy Garton Ash – review

This urgent, encyclopedic study explores what freedom of speech means in an age of diversity

Freedom is worthless if it is not lived. However important rights are in a constitutional democracy, they will wither unless you use them. From John Milton’s polemics against the Presbyterian attempts to enforce Calvinist censorship on the England of the 1640s, via John Stuart Mill’s rebellion against the conformism of the Victorians, to Salman Rushdie’s argument with the Islamists, the urge to defend and expand freedom of speech has been created by the threats of its enemies

What applies to great writers applies to everyone else. No one thinks hard about freedom of speech until they are forced to. In Timothy Garton Ash’s case, the pressure came from within.

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The 100 best nonfiction books: No 18 – The Feminine Mystique by Betty Friedan (1963)

The book that ignited second-wave feminism captured the frustration of a generation of middle-class American housewives by daring to ask ‘is this all?’

Betty Friedan, the godmother of the postwar US women’s movement, was an accidental feminist. “Until I started writing [The Feminine Mystique]” she confessed in 1973, “I wasn’t even conscious of the woman problem.” Friedan had begun her research into “the problem that has no name” – a catchy homage to “the love that dare not speak its name” of Oscar Wilde’s fin-de-siècle disgrace – as part of her work for a questionnaire of her former college classmates on their 15th reunion in 1957, thinking that she would “disprove the current notion that education had fitted us ill for our role as women”.

Few books in this series have enjoyed such a direct and immediate influence on their readership

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Sunday, May 29, 2016

The Mandibles: A Family, 2029-2047 by Lionel Shriver – digested read

John Crace adjusts this futuristic novel about the US economy into a fiscally conservative 800 words

“Only use the dirty water to shower,” said Florence Mandible. “And don’t forget that ever since inflation hit 48% and the US dollar became next to worthless on the global currency markets, things are pretty tight around here.”

Her 12-year-old son, Willing, toyed with a .44 Colt that he had stolen from some Lat. Ever since the Mexicans took over the country and he was forced to speak Spanish at school, he had taken a keen interest in paramilitary survivalism, just like her brother Jarred who nobody ever mentioned. “Put that gun down and go and queue for some foodstuffs that will probably have gone off by the time you get home,” Florence said. She kind of missed the old days when the worst that seemed to happen was that a few bankers tried to fiddle the Libor rate.

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CIA ex-boss: secretive spooks tolerated in UK more than in US

Michael Hayden talks at Hay festival about Edward Snowden and how Facebook, not government, is new privacy battleground

British people are not demanding more transparency from the intelligence services as loudly as Americans, the former director of the US National Security Agency (NSA) and CIA has said.

Michael Hayden played a pivotal, leading role in American intelligence until he was replaced as director of the CIA shortly into the presidency of Barack Obama.

Related: Future of national security whistleblowing at stake in US inquiry

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Hay festival: Russell T Davies defends cutting Shakespeare texts

Writer behind BBC’s A Midsummer Night’s Dream says he ditched line where character threatens to kill herself, calling it outdated

Russell T Davies has defended cutting Shakespeare and said he would not countenance keeping a female character declaring she would kill herself for love.

Davies’ version of A Midsummer Night’s Dream is broadcast on BBC1 on Monday evening. He told Hay festival that he has cut boldly, and not just more obviously extraneous lines. He has cut Helena saying to Demetrius “treat me as your spaniel” and how she would rather die than not be loved.

Related: Hay festival: Shakespeare experts clash over whether to cut, or not to cut

Related: Maxine Peake to star in A Streetcar Named Desire in Manchester

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Chilcot won't accuse Blair of lying, says former PM's biographer

John Chilcot will avoid heaping blame on Tony Blair for the Iraq war and its aftermath, says Tom Bower at the Hay festival

The Chilcot inquiry is likely to criticise easy targets and not put the blame on Tony Blair, the author Tom Bower has said.

Bower is the author of a scathing biography of the former prime minister, published earlier this year, which portrays him as a man with few policies and no ideology.

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Rabbits hopping mad about hutches, says naturalist Chris Packham

BBC presenter says we should be constantly rethinking how we look after animals

It is the childhood ambition for many a budding naturalist, bringing Fluffy the rabbit into the home complete with its own purpose-built hutch. But, according to wildlife expert Chris Packham, the nation’s pet rabbits are hopping mad about their wooden homes.

Delivering a withering assessment at this weekend’s Hay literary festival of how we keep our pets, the BBC presenter said: “We don’t revise our ideas about animal husbandry quick enough. Rabbits are kept in hutches because we were growing them for food, not keeping them as pets. So if you’re not going to eat your rabbit, why not give it a better quality of life and not cram it in to a hutch where it is going to defecate on to a huge pile of its own defecate.

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Siddhartha Mukherjee: ‘Genes are personal. They ask the question: why are we like this?’

The Pulitzer-winning cancer specialist is back with a study of genes that is also a memoir of his family and its history of mental illness

The Gene is subtitled An Intimate History, and a very personal story runs through it. Can you explain what that is
The book gets intimate from the first page. I have two uncles who have schizophrenia and bipolar disease and then one of my cousins, also from my father’s side, was also diagnosed with schizophrenia and institutionalised. So that story hung over my childhood and raised questions that were very urgent. Would I be affected? Was there a genetic predisposition? What was happening in my family? We’re often tempted to think about genes in terms of laboratories or universities, but of course it’s personal: it’s your story, it’s my story, it’s a story of how hereditary factors influence our lives. It’s the question that we’ve all wondered about. Why do we look like this? Why do we behave like this? Why are we like this?

Did you uncover things about yourself?
Absolutely. I had blocked out anything to do with mental illness. I didn’t want to understand partly because I was too fearful of understanding, but then this book allowed me to answer that with a clarity I would have otherwise lacked. When you have a history like this, amazing forces of denial rise inside you. Much of my childhood and my family was organised around the idea that it wasn’t there.

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Francis Spufford: ‘It’s taken me this long to be on reasonable terms with my own psyche’

Publishing his first novel at 52 – the tale of a young charmer in 18th-century New York – Francis Spufford says he wishes he’d started writing fiction years ago

Francis Spufford is the author of five books of non-fiction and has been long- or shortlisted for prizes in science, historical, political and theological writing and writing ‘evoking the spirit of place’. He is a Fellow of the Royal Society of Literature and teaches writing at Goldsmiths College. Golden Hill is his first novel and vividly evokes 18th-century New York.

After five books of nonfiction why did you turn to fiction?
For a long time I didn’t dare to take on fiction. Golden Hill started off as a book about 18th-century New York but then the characters Smith and Tabitha wandered over from the other side of my brain, and the expository stuff about the city could be sucked into the storytelling. To write fiction requires you to mobilise your emotional resources. I’m a first-time novelist at 52 because it’s taken me that long to be on reasonable terms with my own psyche.

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The Lost Tommies by Ross Coulthart review – young martyrs to pointlessness

Recently unearthed in an abandoned French farmhouse, these haunting portraits of British soldiers on the Somme are a lesson to us – and to Isis

“Lest we forget” is the trusting motto of first world war commemorations. All the same, preoccupied by later disasters, we have forgotten this most pointless of conflicts, which began as a fatuous diplomatic squabble and ended as a rehearsal for Armageddon; we need a rude reminder. More than 17 million soldiers and civilians died between 1914 and 1918, but such totals stupefy the brain and numb the heart. The Lost Tommies therefore deals with individuals, not an indiscriminate mass. Ross Coulthart’s book rescues from oblivion a few hundred British combatants who fought in the trenches and foxholes of the Somme, and forces us to look at their depressed, bewildered or downright anguished faces.

Battle was industrialised, and the Somme was like an abattoir in which the men, as Wilfred Owen put it, died like cattle

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Northern noir finds a new detective hero in the dark heart of Yorkshire

Streets of Darkness is being compared to The Wire for its gritty take on Bradford. Writer AA Dhand tells how the city’s race riots in 2001 helped him create Sikh investigator Harry Virdee

We’ve walked the mean streets of Hebden Bridge in Happy Valley and been gripped by Red Riding, David Peace’s hallucinatory take on the Yorkshire Ripper. Now a new crime series is set to put Bradford’s satanic mills in the spotlight.

Streets of Darkness, by AA Dhand, follows suspended police detective Harry Virdee as he tries to solve a murder within 24 hours in a city riven with tensions and on the verge of a race riot as bad as those that took place there in 2001. The result is a tense slice of neo-noir that has won Dhand comparisons to both BBC drama Luther and HBO’s The Wire. Television rights were sold before the book’s publication in June, with FilmWave, the producer behind the recent adaptation of JK Rowling’s The Casual Vacancy, working with Dhand on a series.

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Saturday, May 28, 2016

Women and Melbourne writers dominate Miles Franklin 2016 shortlist

For a second consecutive year four of five authors shortlisted for Australia’s premier literary award are female

The five Australian books shortlisted for the 2016 Miles Franklin literary award were announced on Sunday, with four of the authors hailing from Melbourne. Like 2015, the list was also dominated by women, with only one male author.

The five books shortlisted for the prestigious prize are Hope Farm by Peggy Frew, Leap by Myfanwy Jones, Black Rock White City by AS Patric, Salt Creek by Lucy Treloar and The Natural Way of Things by Charlotte Wood. Each writer has won $5,000 for being shortlisted, and the winner – judged as being of “the highest literary merit” and presenting “Australian life in any of its phases” – will receive $60,000.

Related: Infinite snark: who's afraid of the Melbourne literary scene? | Ben Eltham

Related: Literati cities: just the spot for networking, less so for writing a great novel

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Boys who live with books ‘earn more as adults’

Italian economists find access to books can materially affect earnings compared with those who grew up with few or none

“A room without books is like a body without a soul,” observed the Roman philosopher, Cicero. It can also be a sign of financial hardship to come.

New research has uncovered a strong correlation between the earnings of adults and whether they grew up surrounded by books as children.

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My Headteacher is a Vampire Rat wins Children’s Book Award 2016

Pamela Butchart and illustrator Thomas Flintham are crowned overall winners of this year’s Children’s Book Award

Pamela Butchart’s My Head Teacher Is a Vampire Rat illustrated by Thomas Flintham has just been announced as The Children’s Book Award winner 2016. The book was crowned winner of the overall prize, shortly after winning the Books for Young Readers category!

My Head Teacher Is a Vampire Rat is a zany story about a group of kids who decide that their new head teacher is a vampire. They’ve figured it out because he is quite scary, has the blinds down in his office all day and has banned garlic bread at lunch! The book is fast-paced, irreverent and full of explosive illustration.

Related: Apple and Rain by Sarah Crossan - review

Related: Sarah Crossan: I had this idea that writers were a different breed

Related: The Children's Book Award – shortlist 2016

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Brought to book: when publishers go to court

A writer has just won a legal battle with Marvel and DC, but how do publishers usually fare in the courts?

A writer scored a significant victory over publishers this week, when comic book giants Marvel and DC – who had tried to block Graham Jules from using “superhero” in the title of his self-help manual Business Zero to Superhero – backed down after more than two years, just before a hearing in London. Their double shame (first coming across as bullies, then failing) raises the question: how well do publishers fare when they sue or are sued – are they legal superheroes or zeroes?

Regina v Penguin, AKA the Chatterley trial (1960)
The crown sought the banning of DH Lawrence’s Lady Chatterley’s Lover under the Obscene Publications Act, and equally ill-advisedly the prosecution was led by fuddy-duddy Mervyn Griffith-Jones, who notoriously urged jurors to reject the book as one they would not wish their “wife or servants to read”. They backed Penguin’s right to publish instead, in a case seen as heralding 60s permissiveness (or, as portrayed in Larkin’s “Annus Mirabilis”, the arrival of “sexual intercourse”). Publisher win

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‘17,000 islands of imagination’: discovering Indonesian literature

It’s the fourth most populous country in the world, yet it is rare to find an English translation of Indonesian literature that doesn’t focus on war or tsunamis. Why, asks Louise Doughty

I n February last year, I was sitting in Cafe Batavia on Fatahillah Square in Jakarta, talking to an Indonesian friend. We were discussing how any novelist might describe a country to a readership who know nothing about it. We were surrounded by framed photos of Indonesian politicians and Hollywood stars, and the ceiling fans turned overhead. Outside, it was hot and overcast, and students milled around the front of the History Museum, built by the Dutch in 1710 and now housing objects from the founding of Jayakarta in 1527. How could any writer portray such a diverse culture?

My friend smiled wryly. “You only have the same problem as the rest of us,” he said. “Indonesia isn’t a nation. It’s an imagination.”

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Rose Tremain: Truth, insomnia and waiting for inspiration in Norwich John Lewis

The author describes her lettuce-fuelled writing regime, and recuperating with a latte and a cheese scone

Stephen King, in his brutal novel Misery, about a writer first rescued from a car wreck by a crazed fan and then imprisoned and mutilated by her, has his protagonist pronounce that there is only one question which the writer of fiction keeps on asking: Can I? This question isn’t just about plot; it hides a more complex question about truth, namely: does my way forward from here feel truthful and real to the reader? And, in my view, every novelist’s working day turns around this necessary interrogation.

There are days when I am able to get nearer truthfulness than others. If I’m feeling tired or emotionally fragile, I know that my capacity to see with an unflinching eye is likely to be compromised. Thus, the success or failure of my day is set before it begins, according to how much sleep I’ve managed to get. I have always been an atrocious sleeper. At my boarding school I was the last girl awake in the dormitory, night after night. So I couldn’t say that any two days are exactly the same. Writing with a bad sleep deficit feels like sitting an exam for which I’ve done no revision.

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This year’s Wodehouse prize winners are on the money – a judge’s view

The Everyman Wodehouse prize has to produce belly-laughs by the barrowload – which is why Hannah Rothschild and Paul Murray both deserved to win

Anyone can tell a joke, more or less, so any decent writer can produce a funny scene. Maybe a sparkling one-liner. But it’s not easy to do it again and again, and even harder to craft a novel that can genuinely be described as funny.

Related: Wodehouse prize for comic fiction declares joint winners

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Reputations by Juan Gabriel Vásquez review – the late-life crisis of a political cartoonist

This story of how a Colombian rebel is embraced by the establishment is promising but problematic

There are certain things western readers expect from a Colombian novelist, and Juan Gabriel Vásquez (pictured) has made quite a point of avoiding them. His prose is minimal, sharp, clean; his novels are rooted in historical fact and eschew magical realist flights of fancy. He has chosen not to play into the lurid drugs-and-violence vision of his homeland so beloved of Hollywood screenwriters, setting his stories in Belgium (The All Saints’ Day Lovers) and among Colombian Jews and Nazis during the second world war (The Informers). It is no surprise, though, that his biggest success, The Sound of Things Falling, which won the Impac award in 2014, was a sideways look at the drugs trade.

Vásquez’s Colombia is in some ways culturally closer to Europe than it is to Gabriel García Márquez’s Macondo and the Caribbean coast. He was brought up in Bogotá, a rainy mountain-top city where traditional dress is a wool suit and overcoat, and after studying at the Sorbonne lived for most of his adult life in Europe; he has always said that his literary influences are European and American. Reputations is his first novel since moving back to Bogotá, and takes place entirely among the educated middle class. This is a world of nice houses in the mountains, of art galleries and cocktail parties. We feel the shadow of many years of political and social tumult only obliquely, in glancing references to “the years of terrorism”, in the characters’ fear of violence. The main character, political cartoonist Javier Mallarino, moved out of the city centre in the 1980s following threats to his life – a decision that, we are told, “had been national news”. He spends his time now at a safe and slightly contemptuous distance from the lottery-ticket sellers and bootblacks down town.

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The Long Weekend review – life in the English country house between the wars

Swans in the moat, inglenooks and romantic conservatism … but Adrian Tinswood’s hugely enjoyable, unsnobbish book uncovers another, more subversive, side to the story

The problem with breaking down the past into periods is that it requires you to come up with a signature for each artificial parcel of time. In terms of the English country house, which is the subject of Adrian Tinniswood’s hugely enjoyable new book, that would mean the chilly Victorians (windows open all the time, no central heating, one lavatory for everyone) giving way to the luxurious Edwardians (hot, running water, eight courses for dinner) leading to – what exactly, for the interwar period? A rough sketch might start in 1918 with empty seats at the breakfast table, a reminder of all those young lives lost in the Flanders mud. Then you’d have the roaring 1920s, with flappers doing the Charleston on ancient flagstones, cheered on by some prince of the blood with a showgirl on one arm, a handsome chauffeur on the other and a Benzedrine cocktail within easy reach. Then it would be the early 30s, with everyone having gloomy conversations with their land agent about selling off the home farm, before we get to the eve of another war with much muttering that peace with the Hun doesn’t seem too awful a price to pay if it means you can hang on to your Saturday-to-Mondays in the Quantocks.

But as Tinniswood shows, life behind the mullioned windows and Palladian pillars during those 21 years was infinitely more varied than this frictionless summary suggests. As well as swans in the moat, inglenooks and romantic conservatism, there was decay, streamlined modernism and queer subversion. It is a story – or a space – that contains red-cheeked squires and American plutocrats, Mrs Miniver and Mrs Simpson, Winston Churchill and Charlie Chaplin, earls in plus fours and Cecil Beaton in drag. In short, it is life itself, fretful and funny, deft and daft.

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The best new children’s books – reviews roundup

A philosophical tiger, a bear who pretends to be a bee, strange guests for tea and love among the surfboards – all in the latest picture books and novels

Along with bears and bunnies, tigers star in a surprising number of picture books, from Judith Kerr’s The Tiger Who Came to Tea to Catherine Rayner’s Augustus and His Smile. The latest addition to the canon is There’s a Tiger in the Garden by Lizzy Stewart (Frances Lincoln). An endearingly stroppy little girl is urged by her grandma to go to play in the garden, but remains unconvinced that it is home to the exotic creatures promised there – until she and her toy giraffe, Jeff, discover that all is not quite what it seems, especially when there’s a tiger with a philosophical bent around. Gentle humour, appealing characters – the grumpy polar bear is a particular favourite – and a striking design make for an accomplished debut.

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Fair play: can literary festivals pay their way?

With authors demanding payment and overheads tight, organisers are under increasing pressure. What does the future look like?

I think the truth hit last summer, when I was at a festival to interview a group of writers. It was not a literary festival per se, but a combination of music, theatre, comedy and debates, in among which there stood a doughty literature tent, made rustic by the odd hay bale. What one noticed most, though, was the food: an endless vista of eating opportunities, from crepes to dirty burgers to artisanal pizzas to anything but a cheese sandwich.

Mistakenly, given my temperament and my knees, I had opted to camp, albeit in a motor vehicle rather than under canvas. Making my way through the site to literature HQ, I heard a couple of young guys catching sight of a chum. “Hey!” they chirped. “Sweet tent, man! Where’d you get it?” “Harrods,” came the reply.

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Clive James: ‘Fixing my maple tree will cost a few bob. I’d write a poem, but it won’t make any money’

Even the best poets would be in career trouble without the occasional grant or award

My maple tree, about which I wrote a poem saying it would outlive me, is suddenly half dead and soon might be fully so. Yesterday, looking like a demoralised triffid, it was taken away in a van to a clinic for sick maple trees. Its chances are not great. Meanwhile, squadrons of trolls are preparing their epigrams about my presumptuous misreading of the future. Embarrassing? Totally.

But having guessed wrong about my immediate death, I must be careful about forecasting the same fate for the tree. Perhaps it can be fixed. The treatment, however, will cost a few bob. I have considered writing another poem on the subject, but poems don’t make much money. This fact is well known in my native Australia, where the Council for the Arts is a haven for progressive intellectuals self-tasked with the mission to redistribute the money of taxpayers, who might waste it, among creative “communities”, which are sure to. Careful provision is made for the community of poets.

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Paul McCartney by Philip Norman review – the Beatle finally gets his due

Norman was one of the commentators who made popular the idea that John Lennon was the key member of the Beatles. In this flawed but powerful new book he admits he was wrong

Philip Norman’s biography of the Beatles, Shout!, has sold more than a million copies. Published in 1981 soon after John Lennon’s murder, it was buoyed by the wave of nostalgia that ensued – the first stirrings of the over-the-top Beatles worship that is now an immovable part of popular culture all over the world. Norman delivered arguably the first literary look at Beatledom: the book divided their career into four parts – Wishing, Getting, Having and Wasting – and told the story in gleaming prose. But Shout! has one big drawback: a glaring bias against Paul McCartney, who was portrayed as a kind of simpering egomaniac, and a correspondingly overgenerous view of Lennon, who, Norman later claimed, represented “three quarters of The Beatles”.

Norman went on to write John Lennon: A Life. Now, eight years later, comes this new book, introduced with a blunt mea culpa. Norman’s damning of McCartney, he now says, was a reaction to how much he had once not just admired him, but wanted to somehow be up there, in his place. “If I’m honest,” he now writes, “all those years I’d spent wishing to be him had left me feeling in some obscure way that I needed to get my own back.” Now, he has a more generous view – and so, with McCartney’s “tacit approval” (assistance with sources and information, but no direct involvement) he has written the Lennon book’s companion piece.

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Friday, May 27, 2016

Black Dog: Dave McKean delves into the dreams of war artist Paul Nash – in pictures

As part of the first world war centenary art project 14-18 Now, comic book artist and filmmaker Dave McKean – most known for his cover art for Neil Gaiman’s Sandman series – has produced a graphic-novel biography of painter Paul Nash, whose dreamlike – or nightmarish – depictions of war explored the psychological scarring that still haunts soldiers today

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Gut by Giulia Endere review – a celebration of our most under-rated organ

An amusing and delightfully frank primer on our intestines crammed with amazing biological facts and anecdotes from the scatological limits of research

German medic Giulia Enders is on a mission to explain “why the gut is so fascinating”. This amusing and delightfully frank primer on our intestines, translated by David Shaw, is crammed with amazing biological facts (“the surface area of our digestive system is about a hundred times greater than the area of our skin”) and anecdotes from the scatological fringes of research: to discover the best position in which to poo, Japanese scientists fed volunteers luminescent substances then x-rayed them as they did their business. (Squatting, not sitting on the loo, is the easiest on the intestinal tract.) From the causes of food allergies, the “gut gymnastics” of digestion and the links between the gut and the subconscious (“an unhappy gut can be the cause of an unhappy mind”), to its astonishing population of micro-organisms, the microbiome, which can weigh up to 2kg, Enders shows that far from being ashamed of it we should celebrate our gut. She observes that the movements involved in burping or breaking wind “are as delicate and complex as those of a ballerina”. Her enthusiasm is contagious and will change your view of your intestines: “The more you know about the gut, the more beautiful it appears.”

• To order Gut for £7.99 (RRP £9.99) go to bookshop.theguardian.com or call 0330 333 6846. Free UK p&p over £10, online orders only. Phone orders min p&p of £1.99.

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Flash Friday: St Monica’s

A woman reflects in church on adopting Catholicism as an act of familial rebellion

She was late to the Mass dedicated to her boyfriend’s late mother, who died just two months before her father. Stepping into St. Monica’s, making sure her heels didn’t click too loudly, she saw him — Matt the Agnostic — in the very back pew.

She slid in next to him. “You told me it was on East 81st,” she hissed. “It’s actually on E. 79th.” Her own mother would rather turn around and go home than enter church late.

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Geek critique: Neil Gaiman and Kameron Hurley pick apart pop culture

Two new nonfiction collections – Gaiman’s The View from the Cheap Seats and Hurley’s The Geek Feminist Revoluton – present contrasting perspectives on geek culture today. So what’s the state of it?

Geeks were once like Victorian children: seen, but not heard; talked about but mocked, rarely given their own voice. But the newfound popularity of the culture – video games, comics, the mainstream cool of crossover hits such as Game of Thrones or Star Wars – makes geeks some of the loudest voices today. This week, two new nonfiction collections – Neil Gaiman’s The View from the Cheap Seats and Kameron Hurley’s The Geek Feminist Revolution – showcase the spectrum of diversity that exists in the culture today.

Gaiman has had a view from the front row seats of sci-fi and geek culture over the last three decades, but the title of his latest collection nods to the sense of being on its fringe, a second-class citizen within the mainstream. But no one epitomises geek culture like Gaiman: his 2.4 million Twitter followers represents a cross-section of the sci-fi readers, comic nerds, cybergoths and other alternative cultures that have been rolled into the geek identity.

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Geek critique: Neil Gaiman and Kameron Hurley pick apart pop culture

Two new nonfiction collections – Gaiman’s The View from the Cheap Seats and Hurley’s The Geek Feminist Revoluton – present contrasting perspectives on geek culture today. So what’s the state of it?

Geeks were once like Victorian children: seen, but not heard; talked about but mocked, rarely given their own voice. But the newfound popularity of the culture – video games, comics, the mainstream cool of crossover hits such as Game of Thrones or Star Wars – makes geeks some of the loudest voices today. This week, two new nonfiction collections – Neil Gaiman’s The View from the Cheap Seats and Kameron Hurley’s The Geek Feminist Revolution – showcase the spectrum of diversity that exists in the culture today.

Gaiman has had a view from the front row seats of sci-fi and geek culture over the last three decades, but the title of his latest collection nods to the sense of being on its fringe, a second-class citizen within the mainstream. But no one epitomises geek culture like Gaiman: his 2.4 million Twitter followers represents a cross-section of the sci-fi readers, comic nerds, cybergoths and other alternative cultures that have been rolled into the geek identity.

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via Science fiction | The Guardian http://ift.tt/1RwTSq3

A Country Road, A Tree by Jo Baker review – a skilful recreation of Beckett’s war years

The author of Longbourn illuminates Beckett’s work by dramatising the privation and adventures of his wartime experiences, from his work with the resistance to his long walk south

Amid all the Jane Austen reboots and ripoffs, Jo Baker’s 2013 debut Longbourn, which developed the events of Pride and Prejudice from the servants’ perspective, seemed restrained yet revelatory. Fresh, fascinating and beautifully achieved, it was that rare beast: a critical success with wide commercial appeal. What would one expect from the follow-up? Probably not a re-creation of Samuel Beckett’s war years, from his desperation to leave the Ireland that stifled him, through his time in occupied Paris working for the resistance and escape to the south after being betrayed to the Nazis, to his postwar job helping set up a French hospital. And always, through danger, penury and privation, the compulsion to continue with writing that doesn’t seem to be getting anywhere, that he is driven to produce, as a writer friend puts it, like snails make slime.

The book echoes Longbourn, though, in the way it takes a behind-the-scenes look at literature, animating the experiences that fed into Beckett’s later work. Baker’s close attention to physical experience, the deafening demands of the body during hard labour or hunger, is familiar from Longbourn, too, and pertinent to Beckett’s aesthetic as it was to her story of Georgian England’s less fortunate class. “The body’s barest needs make for a heavy load,” we are told, as, during the darkest days of the war, Beckett and his lover Suzanne Déchevaux-Dumesnil struggle on foot towards what they hope will be the safe haven of Roussillon. As they throw themselves on the mercy of strangers, “human bodies share the almost nothing that they have, and go on living”.

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Comic book superheroes: the gods of modern mythology

From primary-coloured, straight guys to tarnished beings in a revisionist world, superheroes are our cultural barometer

It’s a classic comic book story. The villains are two brothers, grotesquely competitive, whose greed and ruthlessness have propelled them to world domination. They continue to try to kill each other, because half of everything isn’t enough for either of them. Only one thing can persuade them to cooperate: the bold challenge of one dauntless man, a David against their twin Goliaths. Enraged by his impudence, they join forces. Their victory seems inevitable. And yet, somehow, in the final act – because he’s strong, because he’s got some sort of gift, or simply because he’s the good guy – the courageous individual wins. Kapow!

By and large, Marvel and DC like stories like that. They won’t like this one. Its protagonist is Graham Jules: call him Comicboy. This week, it was revealed that the two companies had failed in a trademark case the 48-year-old British entrepreneur and law student. Specifically, and remarkably, they were trying to assert their control over a term that has become part of the essential set of myths of modernity: “superhero”.

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Science or magic? UK scientists test reality of Harry Potter spells

University of Leicester students gauge the feasibility of Gillyweed, which allows the eater to grow gills, and Skele-Gro, which grows and repairs broken bones

Hot on the heels of the news that Mary Norton’s tiny Borrowers would not have been viable in the real world, two new scientific papers have analysed the spells JK Rowling invented for Harry Potter and concluded that they would need magic to work.

In the papers Gillyweed – Drowning with Gills? and Revealing the Magic of Skele-Gro, both published in the Journal for Interdisciplinary Science Topics, students at the University of Leicester analyse two spells used by Rowling’s young wizard: Gillyweed, which enables its eater to grow gills and thus breathe underwater, and Skele-Gro, which repairs broken bones.

If Harry were to open his mouth to allow water into his throat and out through the gills, it may be plausible

Related: Quidditch World Cup 2016 hopes to feature first African team

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Science or magic? UK scientists test reality of Harry Potter spells

University of Leicester students gauge the feasibility of Gillyweed, which allows the eater to grow gills, and Skele-Gro, which grows and repairs broken bones

Hot on the heels of the news that Mary Norton’s tiny Borrowers would not have been viable in the real world, two new scientific papers have analysed the spells JK Rowling invented for Harry Potter and concluded that they would need magic to work.

In the papers Gillyweed – Drowning with Gills? and Revealing the Magic of Skele-Gro, both published in the Journal for Interdisciplinary Science Topics, students at the University of Leicester analyse two spells used by Rowling’s young wizard: Gillyweed, which enables its eater to grow gills and thus breathe underwater, and Skele-Gro, which repairs broken bones.

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Hanif Kureishi: even the best writers face rejection

As the British Library launches a collection including rejection letters sent to literary greats, Hanif Kureishi explores how self-doubt can be the greatest obstacle to writing

Of all the questions authors get asked, the most puzzling but persistent is what others might think of what the writer has produced. These potential disapprovers could be the writer’s spouse, family, colleagues, community or neighbours. It doesn’t matter exactly who they are. Yet the question of these opinions is clearly a crucial one for apprentice artists. When they begin to work a chorus of censure and dissent, if not of hate, starts up. The writer becomes inhibited by concerns about the effect his or her words might have. The writer could become anxious, stifled or blocked. They could begin to hate their own work, or become phobic about beginning.

Related: 'It needs more public-spirited pigs': TS Eliot's rejection of Orwell's Animal Farm

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Lifeboat: children's illustrators raise money for refugees – in pictures

Emily Gravett on how she garnered the support of her fellow children’s books illustrators from Chris Riddell to Axel Scheffler to raise money for The School Bus Project

All of the illustrations in this gallery (and more) will be up for auction from June 1 -17 2016

• Also read The Day The War Came by Nicola Davies and join the #3000chairs campaign

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Hay festival: Shakespeare experts clash over whether to cut, or not to cut

Globe theatre’s chief and deputy head of RSC disagree over merits of editing Bard’s work to make it more relatable

They are both leading experts in all things Shakespeare, sharing between them two of the most prestigious Bard-related cultural positions; but where one is left “furious” by revisions to the text, the other would happily cut words and sentences audiences might not understand.

Erica Whyman, the deputy artistic director of the Royal Shakespeare Company, set out her views on how to treat the Bard at the Hay literary festival, in stark contract to those offered by Emma Rice, the new boss of Shakespeare’s Globe.

Related: Midsummer Night's Dream team: 'play for the nation' unites professionals and amateurs

Related: Shakespeare's first four folios sell at auction for almost £2.5m

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‘We longed for Peter Pan to come for us: what could be more exciting?’

Growing up in JM Barrie’s house in Kensington, where Wendy and her family lived

When I tell people that I grew up in the house where Peter Pan was written they always ask, “What was it like?”. Of course there is no answer; every adult thing is equally baffling to children, and everybody’s own childhood oddities seem normal at the time. What do I remember? A lifelong discussion between family members as to which bedroom window Peter Pan came through. A logical shift from “If you don’t brush your teeth Peter Pan will come for you” to “If you don’t brush your teeth Peter Pan won’t come for you” – of course we longed for Peter Pan to come for us: what could be more exciting? A drawing of our house by Edward Ardizzone is in our edition of the book, proving beyond all doubt that the Darlings lived there and that Peter Pan was therefore real.

“In the Broad Walk you meet all the people who are worth knowing,” JM Barrie wrote, at a time when London was much smaller and more affordable and all kinds of interesting people probably did walk in the same park, Kensington Gardens. Is it lovely or oppressive to think of a more villagey world, where “all the people worth knowing” ran into each other? Barrie lived along the north side, on Bayswater Road. He wrote Peter Pan in this lovely early Victorian villa, with (now) a tall magnolia and a blue plaque. I planted the magnolia, for my parents’ 25th wedding anniversary. My family lived there from 1926 till last year, and I am feeling elegiac for the London that passed through it, that I knew (and when I didn’t, I knew the stories), and that no longer exists.

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The Goddess Pose by Michelle Goldberg – the strange story of how yoga became popular

This biography of Indra Devi, the teacher who brought yoga to the west, features occultism, early new ageism, sexual predators and celebrity devotees

What is yoga? In New York or London, it is usually a series of poses performed on a rubber mat in 90-minute classes. Sometimes these sessions have spiritual overtones: Sanskrit chanting accompanied by a harmonium, secular sermons, vigorous Om-ing. Other teachers simply press play on a techno mix and commence with stretching. A pupil might receive vague lessons about The Yoga Sutras of Patanjali, or kundalini energy, or pranayama breath, but the origins of the “practice” tend to remain obscure.

The father of modern yoga was a man named Tirumalai Krishnamacharya. Born in south India in 1888 and educated in a monastery, Krishnamacharya learned hatha yoga (the branch of yoga philosophy concerned with physical poses) at a time when many religious Hindus and educated Indians looked down on it. The ash-covered mendicants contorting on the banks of rivers had roughly the same cultural capital as unwashed street buskers. The respectable aspects of yoga were those techniques that had to do with breath control, meditation and a philosophy that spoke of transcending worldly concerns.

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Simon Cowell wants to write a children’s book? Here’s what will give it the X Factor

Jeopardy, rescues, animals that talk … just some of the ingredients that could make Cowell’s book for his son a success

Simon Cowell has announced a new venture: he is going to write a children’s book. He says that he needs to because all children’s books are boring – at least the ones that he’s reading to his two-year-old, Eric. When he appears on The X Factor he gets help from David Walliams, Alesha Dixon and Amanda Holden, at least one of whom writes successful children’s books. So I’m guessing he might be looking for some help with the writing, too.

Related: Simon Cowell gets star advice on plan to write children's book

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Thursday, May 26, 2016

'Most Orwellian winner yet': The Invention of Russia takes Orwell prize

Arkady Ostrovsky’s The Invention of Russia, an account of media manipulation and of language in modern Russia, wins UK’s top award for political writing

An account of modern Russia, which in its investigation into media manipulation is “absolutely in [George] Orwell’s own tradition” has won the UK’s most prestigious prize for political writing, the Orwell prize for books.

Chair of judges for the prize Lord William Waldegrave compared Arkady Ostrovsky’s The Invention of Russia to George Orwell’s novels Nineteen Eighty-Four and Animal Farm, saying that Ostrovsky’s non-fiction title was “absolutely about the central themes that Orwell is most famous of all for … the importance of language, and how he or she who controls the language, controls the narrative. And although there are many strong and brave liberal voices in Russia, if you get control of social and traditional media, you’ve gone a long way to controlling the message.”

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'Most Orwellian winner yet': The Invention of Russia takes Orwell prize

Arkady Ostrovsky’s The Invention of Russia, an account of media manipulation and of language in modern Russia, wins UK’s top award for political writing

An account of modern Russia, which in its investigation into media manipulation is “absolutely in [George] Orwell’s own tradition” has won the UK’s most prestigious prize for political writing, the Orwell prize for books.

Chair of judges for the prize Lord William Waldegrave compared Arkady Ostrovsky’s The Invention of Russia to George Orwell’s novels Nineteen Eighty-Four and Animal Farm, saying that Ostrovsky’s non-fiction title was “absolutely about the central themes that Orwell is most famous of all for … the importance of language, and how he or she who controls the language, controls the narrative. And although there are many strong and brave liberal voices in Russia, if you get control of social and traditional media, you’ve gone a long way to controlling the message.”

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Food in books: macaroni cheese from Excellent Women by Barbara Pym

After discovering the witty and wonderful Barbara Pym, Kate Young sets out to make a tastier take on the disappointing dish eaten by Mildred Lathbury

By Kate Young for The Little Library Café, part of the Guardian Books Network

Mrs Jubb, who might have been a good cook with any encouragement, must have lost heart long ago. Tonight she set before us a pale macaroni cheese, and a dish of boiled potatoes, and I noticed a blancmange or ‘shape’, also of an indeterminate colour, in a glass dish on the sideboard. Not enough salt, or perhaps no salt, I thought, as I ate the macaroni. And not really enough cheese.

Excellent Women, Barbara Pym

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The Fireman by Joe Hill review – apocalyptic horror with a twist

An epidemic of human combustion sweeps the world in this deft and disturbing story of survival

Horror novels are having a hard time. The genre simply isn’t the powerhouse it once was, having been supplanted in public consciousness by the modern thriller: just as taut, just as nasty, but with a slightly more commercial, less overtly supernatural edge. The horror writers who are flourishing have moved away from the more generic creepy-slasher narratives a lot of the old guard fell prey to. Joe Hill is one such writer. Over the past few years, he has carved out a furrow of his own, packed with haunted rock stars (A Heart-shaped Box), demonic possession (Horns) and strange soul-vampires who drive evil cars (N0S-4R2).

His new novel, The Fireman, seems at first to be playing in the same sandbox. It’s the story of nurse Harper Grayson, who watches as the world becomes overrun by a disease known as dragonscale. At first the sickness causes the victims’ skin to be covered with an ashen, patterned mark, not unlike a tattoo; eventually, they explode. It’s like something you might find in a George RR Martin novel (the marks are reminiscent of greyscale in A Song of Ice and Fire) crossed with spontaneous human combustion. Harper becomes pregnant as the world is descending into chaos, and her writer husband, Jakob, reacts badly. They’ve been discussing ending their lives together should the worst happen, but the baby changes Harper’s mind. And Jakob? He falls prey to that most writerly of illnesses and becomes psychotic.

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The Morning They Came For Us by Janine di Giovanni – heroic dispatches from Syria

A first person and deeply personal account of horrific events in the Syrian war and revolution makes no policy recommendations but is the very best kind of reporting

Reading this book by the war correspondent Janine di Giovanni is at once necessary, difficult and elating. Her reporting from the Syrian revolution and war is clear-eyed and engaged in the best sense – engaged in the human realm rather than the abstractly political.

Giovanni’s account is deeply personal. She was once obsessed with Bosnian crimes; in the introduction, she says that Syria may similarly “engulf her”. She finds herself unable to trim her baby son’s nails for thinking of an Iraqi who’d had his ripped out. Later, accepting a cigarette pack from a student of human rights, she notes the old cigarette burns on his arms.

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Captain America has gone from punching Hitler to fascist sympathies – is it time to panic?

Marvel’s reveal that Captain America is a sleeper agent for rightwing group Hydra feels like a betrayal of his Jewish creators – but nothing is set in stone in comics

Truth, justice and the American way … are all out the window this week, as Marvel comics revealed that Captain America, their stalwart upholder of everything red, white and blue, is a sleeper agent for Hydra: a fascist, terrorist organisation.

In the first issue of Steve Rogers: Captain America – written by Nick Spencer, with art by Jesus Saiz – one of Marvel’s best-loved characters, who this year celebrates his 75th year of publication, comes out of the closet as a flag-bearer for his long-time enemies, sending the internet into a mini-maelstrom that could be summed up as a collective: “What the fuck?”

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Vadim Levental: 'A novel must be more than just the story of some made-up life'

Masha Regina’s author explains how he expects his debut novel to annoy readers, but traditional make-believe no longer works in an era saturated with fact

“If you’re doing something really new, really out of the ordinary,” Vadim Levental says, “then that automatically means you’re really fucking everybody off.”

Levental may have found himself on the shortlist for Russia’s Big Book prize with his first novel, Masha Regina, but he’s not expecting to win a popularity competition any time soon.

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'It needs more public-spirited pigs': TS Eliot's rejection of Orwell's Animal Farm

Digitised for the first time by the British Library, Eliot’s rejection is now available to read alongside others including Virginia Woolf’s to James Joyce

The letter in which TS Eliot rejects George Orwell’s allegory Animal Farm because “we have no conviction … that this is the right point of view from which to criticise the political situation” has been published online for the first time by the British Library, alongside a wealth of other material from 20th-century writers.

Addressing the author as “Dear Orwell”, Eliot, then a director at publishing firm Faber & Faber, writes on 13 July 1944 that the publisher will not be acquiring Animal Farm for publication. Eliot described its strengths: “We agree that it is a distinguished piece of writing; that the fable is very skilfully handled, and that the narrative keeps one’s interest on its own plane – and that is something very few authors have achieved since Gulliver.”

Related: Thanks but no thanks: famous authors' rejection letters

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Vladimir Nabokov's butterfly art – in pictures

Author and passionate lepidopterist Vladimir Nabokov once said: ‘Literature and butterflies are the two sweetest passions known to man.’ His scientific drawings and watercolours of butterflies have now been collected into one volume, Fine Lines

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Would Enid Blyton 'delight' in new Famous Five parodies? Will we?

Whether or not she would be pleased, take-offs of the much-loved children’s books look set to follow the success of Ladybird spoofs

“We are certain Enid Blyton would have delighted in the gentle parody of her characters,” says Anne McNeil of Enid Blyton Entertainment. “Characters which have helped to create a multimillion-selling global brand.”

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The EU: An Obituary by John R Gillingham – the neoliberal case against the European Union

The Thatcherite historian argues that the EU is defunct, a relic of the postwar decades. But would an unfettered Europe be a better place?

A spectre is haunting Europe – the spectre of disintegration. The European Union, argues John R Gillingham, is on the verge of “collapse”, defended only by an alliance of old elites. While we focus on Brexit (which he confidently predicts in a postscript), the issues imperfectly covered in his book suggest that it is a parochial distraction from the much bigger question of how Europe is to be organised in the 21st century. We are at a “turning point” in European history.

Euroscepticism creates some strange bedfellows. Many rightwing nationalists view the EU as a Trojan horse of unstoppable multiculturalism. Some on the left see its focus on the single market as institutionalised “neoliberalism” and austerity. And some “neoliberals” such as Gillingham see it as a relic of the postwar decades that binds free markets in red tape. Gillingham is not a typical author for the radical-left publishing house Verso – presumably at least one commissioning editor there has Eurosceptic leanings. From all sorts of angles, the EU seems to be the sick man of Europe.

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'Refugee' is children's word of the year

The migrant crisis sparks children’s imagination at Radio 2’s creative writing competition 500 Words

“I’m in France ... place called Calais. It turns out that nobody wants us after all. There was no gold at the end of the rainbow. I have no idea when or how I will get away from this prison.” The words of a 12-year-old British girl in an entry for BBC Radio 2’s 500 Words competition.

Related: Jon Walter’s top 10 refugee heroes in children’s fiction

Related: Tales from a diverse universe by Shaun Tan – gallery

Related: Hashtag named UK children's word of the year #important

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Moonstone by Sjón review – a glittering fable of sex and cinema

Dreams colonise reality in the Icelandic author’s story of an outsider in early 20th-century Reykjavik

The subtitle of the Icelandic writer Sjón’s jewel-like novella is “the boy who never was”. Known to English-speaking readers for a series of beautiful short works written and translated in the 2000s, Sjón (a pen name that means “sight”, shortened from his given name Sigurjón Birgir Sigurðsson) has been involved in Reykjavík’s literary scene since the late 1970s, when he was part of a milieu of young underground artists and musicians that eventually gave rise to the Sugarcubes. The subsequent career of that band’s lead singer, Björk, has cemented the Icelandic aesthetic in the international imagination as a fusion of hard-edged modernist experimentation with a kind of folkloric whimsy. Sjón, who has written lyrics (and occasionally played air-guitar) for his elfin friend, shares both these qualities.

The “boy who never was” is one Máni Steinn Karlsson, a 16-year-old who has sex with men for money in Reykjavík. The year is 1918, and Máni’s reality is unstable, infected by cinema, always threatening to tip over into dream. In Sjón’s telling, this story is neither a fairytale, nor a study of abjection. Máni often enjoys his encounters, and his love of the cinema leads him to Irma Vep, the anti-heroine of Louis Feuillade’s seven-hour epic crime movie, Les Vampires, in which an “eponymous gang of nihilists ... hold French society in the grip of fear”. Irma, who wears a fetishistic black bodysuit (unthinkably shocking for 1915, when the film was made), “scales buildings like a shadow and breaks into apartments and government offices before making her escape over the rooftops”. Like the boy dreaming about her from his seat in one of the city’s two cinemas, she is outside society, committing her crimes “with the cheerful zeal of one who has turned her back on the laws of her fellow men”. Máni finds his own Irma in Sóla G, a motorbike-riding girl in black leather who seems to have escaped from the screen into the more mundane register of his daily life.

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Wednesday, May 25, 2016

Shakespeare's first four folios sell at auction for almost £2.5m

Books, originally sold as separate lots, were all purchased by anonymous American collector from Christie’s auction

Copies of William Shakespeare’s first four books, dubbed the “Holy Grail of publishing”, have sold for almost £2.5m at auction.

Christie’s said they were sold as separate lots on Wednesday but were all bought by an anonymous private American collector.

Related: William Shakespeare: 2016 is the 400th anniversary of his death

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LaRose by Louise Erdrich review – tragedy and atonement from one of America’s great writers

A pertinent tale of a Native American community’s attempts to come to terms with the accidental shooting of a five-year-old boy

Louise Erdrich occupies a strange space in American letters. She has been rewarded with many accolades, from the O Henry and PEN prizes to the National Book Critics Circle award and National Book award. Her books, which remain consistently excellent in the third decade of her career, are reviewed lovingly, and her audience is enormous and loyal.

And yet there is not the breathless anticipation for the next Erdrich that, say, takes over when a new Don DeLillo or Donna Tartt is on its way. When the books world is making up a list of the great American novelists, Erdrich is generally forgotten, passed over in favour of Cormac McCarthy or even Marilynne Robinson. She is acknowledged as a beautiful writer, but it’s as if we forget she is there when she’s between books.

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Good Night Stories for Rebel Girls is 'dream' Kickstarter success

Illustrated book intended to inspire girls to ‘bigger goals’ tells the stories of 100 great women and scores runaway hit on fundraising site

“Once there was a Mexican girl whose name was Frida,” begins one of the 100 fairytale reinventions included in Good Night Stories for Rebel Girls. A new children’s book that sets out to confront gender stereotypes, it has quickly raised more than $600,000 (£409,000) on Kickstarter.

Created by Elena Favilli and Francesca Cavallo, co-founders of children’s media company Timbuktu Labs, the book tells the stories of 100 great women, from Kahlo to Elizabeth I to Serena Williams, illustrated by female artists from around the world. Favilli and Cavallo launched their Kickstarter a month ago, with the goal of making $40,000, and printing their first 1,000 copies. With hours to go before closing to further pledges, their fundraising total stands at $624,905.

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Good Night Stories for Rebel Girls is 'dream' Kickstarter success

Illustrated book intended to inspire girls to ‘bigger goals’ tells the stories of 100 great women and scores runaway hit on fundraising site

“Once there was a Mexican girl whose name was Frida,” begins one of the 100 fairytale reinventions included in Good Night Stories for Rebel Girls. A new children’s book that sets out to confront gender stereotypes, it has quickly raised more than $600,000 (£409,000) on Kickstarter.

Created by Elena Favilli and Francesca Cavallo, co-founders of children’s media company Timbuktu Labs, the book tells the stories of 100 great women, from Kahlo to Elizabeth I to Serena Williams, illustrated by female artists from around the world. Favilli and Cavallo launched their Kickstarter a month ago, with the goal of making $40,000, and printing their first 1,000 copies. With hours to go before closing to further pledges, their fundraising total stands at $624,905.

Related: Picture books that draw the line against pink stereotypes of girls

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Top 10 chases in literature

From Moby-Dick to Mr Ripley, the best stories of pursuit provide both compulsive plots and insights into a strangely intimate relationship

One of the appeals of chase stories is that they speak to experiences we’ve all known. We’ve all walked down a deserted street afraid that someone is following us. As children, we revelled in games where we hid from other people. And of course, if somebody is hiding, it usually means that somebody else is seeking.

In writing my latest novel, I thought a lot about the visceral fear of those being pursued, the dogged commitment of the pursuer – and the ties that bind them together. The result is Long Time Lost, a story about a network of people, hidden throughout Europe, in a privately operated and highly illegal protection scheme. When the scheme’s security is breached, there is no safety net and the chase is on.

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The Voices Within by Charles Fernyhough review – why do we talk to ourselves?

We experience some kind of inner speech for at least a quarter of our waking lives. This helps some, while others set out to reduce the chatter. And how does it relate to God?

When you talk to yourself, who exactly is doing the talking, and who the listening? Walt Whitman wrote: “Do I contradict myself? / Very well then I contradict myself. / (I am large, I contain multitudes.)” But who are these multitudes? And who let them all in? Thus does language tempt us to posit a concert hall of homunculi within the head.

Charles Fernyhough’s fascinating and elegantly humane book is aware of the problem, but doesn’t attempt to solve it (doing so would probably require a true theory of consciousness). Instead he starts with the existence of what is technically termed “inner speech”, and sketches a theory of how it occurs. He inquires into its phenomenology (the feel of the subjective experience of talking to oneself), and he offers an intriguing developmental account of how we come to do it at all, and why it is so useful.

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DC Rebirth: Batman, Superman and Wonder Woman get rebooted … again

DC Comics is starting over to simplify storylines across seven decades and 52 worlds. With so many heroes, should DC be more careful with the reset button?

This week, DC Comics presses the reset button on its universe of characters … yet again. From today, everything will be slightly different in the world of Batman, Superman and Wonder Woman just so it can, paradoxically, stay the same for just that bit longer.

The DC Rebirth event is masterminded by writer Geoff Johns and is introduced in a special comic book that will set the stall out for the equivalent of a digital remastering of the DC Universe. Many are waiting to be pleasantly surprised by what Johns has in store, but news of some of the headline changes “leaked out” (for which read: somebody busted the embargo on the DC press release) at the weekend, so DC made its announcements a little early.

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Stephen King joins hundreds of authors petitioning against Donald Trump

More than 450 writers, including Colm Tóibín, Geraldine Brooks and Lydia Davis express ‘unequivocal’ opposition to his presidential candidacy

Hundreds of authors including Stephen King, Colm Tóibín, Lydia Davis and Geraldine Brooks have signed a statement in which they “oppose, unequivocally, the candidacy of Donald J Trump for the presidency of the United States”.

Launched on Tuesday by the writers Mark Slouka and Andrew Altschul, already signed by more than 450 authors, the statement has now been posted on website ipetitions and has won more than 6,000 signatories, spanning some of the biggest names in US literature, from Pulitzer winners Jennifer Egan, Brooks and Junot Díaz to bestselling and acclaimed writers including Amy Tan, Anita Shreve, Michael Chabon, Dave Eggers, Cheryl Strayed and Curtis Sittenfeld.

Related: Lionel Shriver: Donald Trump's too far-fetched for fiction

Related: JK Rowling defends Donald Trump's right to be 'offensive and bigoted'

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Stephen King joins hundreds of authors petitioning against Donald Trump

More than 450 writers, including Colm Tóibín, Geraldine Brooks and Lydia Davis express ‘unequivocal’ opposition to his presidential candidacy

Hundreds of authors including Stephen King, Colm Tóibín, Lydia Davis and Geraldine Brooks have signed a statement in which they “oppose, unequivocally, the candidacy of Donald J Trump for the presidency of the United States”.

Launched on Tuesday by the writers Mark Slouka and Andrew Altschul, already signed by more than 450 authors, the statement has now been posted on website ipetitions and has won more than 6,000 signatories, spanning some of the biggest names in US literature, from Pulitzer winners Jennifer Egan, Brooks and Junot Díaz to bestselling and acclaimed writers including Amy Tan, Anita Shreve, Michael Chabon, Dave Eggers, Cheryl Strayed and Curtis Sittenfeld.

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Simon Cowell gets star advice on plan to write children's book

After Twitter anger at his disdain for the genre, Michael Rosen and Philip Ardagh both offer tips to the celebrity on how to avoid being boring

The award-winning children’s author Philip Ardagh has suggested that Simon Cowell visit a library for expert literary advice, after the Britain’s Got Talent judge announced that he was planning to write his own children’s book because most are “quite boring”.

Cowell told a US television show that he had “read a lot of these children’s books” to his two-year-old son, “and they’re quite boring. I think I could do it better.” His own title, he said, would “be about animals”, and would include a character based on himself, “obviously a sort of hero figure”.

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Simon Cowell gets star advice on plan to write children's book

After Twitter anger at his disdain for the genre, Michael Rosen and Philip Ardagh both offer tips to the celebrity on how to avoid being boring

The award-winning children’s author Philip Ardagh has suggested that Simon Cowell visit a library for expert literary advice, after the Britain’s Got Talent judge announced that he was planning to write his own children’s book because most are “quite boring”.

Cowell told a US television show that he had “read a lot of these children’s books” to his two-year-old son, “and they’re quite boring. I think I could do it better.” His own title, he said, would “be about animals”, and would include a character based on himself, “obviously a sort of hero figure”.

Related: The children's books Simon Cowell needs to read

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Read the winning story in our Jungle Book competition for children

We received some fantastic entries to our contest for young writers inspired by the ever-popular tales. Now it is time to reveal the winner …

Earlier this year, we asked our favourite illustrators and artists to reimagine a scene from The Jungle Book. The results were so wonderful that we asked children to reimagine their favourite characters from the ever-popular tales in an original short story – our only prerequisite was that the story be as original and interesting as possible.

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